| Prioress Eleanor has returned from the near-dead in the spring of 1272 and
is being sent to her childhood home, Amesbury Priory, to be with her aunt,
Sister Beatrice while she recovers. The Priory is not quite the quiet
respite Eleanor had hope for. There is a ghost haunting the Priory and the
banks of the nearby Avon River. Some say it is the ghost of the Priory
founder who committed suicide and is buried in unconsecrated grounds.
Eleanor isn’t so sure and is willing to accept her aunt’s charge to
investigate the spirit.
A local man is found beheaded by the riverbanks and Eleanor is pretty sure a ghost did not do it, but more likely the man’s son. Eleanor learns more about the family, including a disagreement over who a young cousin should marry. More deaths occur and draw young Brother Thomas into Eleanor’s world.
Brother Thomas is on a mission from the church transporting a valuable
manuscript to the priory for repair. Someone is trying to steal this
manuscript and Thomas decides to mingle with the locals to see if he can
learn who. With Thomas and Eleanor out of their usual settings, the two
find themselves quite drawn, inappropriately, to each other, also somewhat
inexplicably to Thomas who has been grappling with his homosexual
tendencies.
Justice for the Damned is a very detailed historical mystery with much social history, much focusing on beliefs and mores of sexuality in medieval times, may be too much reading for some, but others will enjoy the authenticity and attention to detail.
Eleanor for all her aplomb still has many childlike qualities and innocence, making her a character many want to protect, though she proves herself time and again to be a strong, intelligent young woman.
There are two mysteries running for most of the book. While readers will expect all the pieces to fall into place at the end, they may be surprised how the murders, the manuscript and the ghost do fit together in the end. Not a light, quick read, Justice for the Damned is rather a very detailed history with some very somber overtones.
--Jennifer Monahan Winberry
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