Once they arrive in Stratford, John learns that it is not only ghostly aberrations that have been troubling the mayor and plaguing performances. There have been several near-fatal accidents that Aylmer is certain will not only keep away the audiences, but perhaps John Barrymore himself. Within the week there are two deaths, leaving John to not only search for a ghost, but a murderer.

Leaving Penny to see the sights of Stratford and to absorb the atmosphere, John and a colleague from Scotland Yard investigate the murders, hoping to have all rumors dispelled and all criminals apprehended before the curtain comes down on the festival permanently.

To Die or Not to Die is a well-appointed historical mystery, giving the reader a double sense of history. On one hand, the early twentieth century is described in great detail, as is the appreciation the people had at that time for Shakespeare’s hometown. With Penny along, the reader’s introduction to the historical area is easily included in the plot without seeming forced. The alternate chapters with John Barrymore at the center, while yet another historical vehicle, often detract from the main plot.

John has become a solid, dependable investigator and husband and seems ready to tackle fatherhood. Ever engaging, Penny does not allow her condition to hold her back, nor her husband. The atmosphere and excitement of Barrymore’s impending arrival take center stage, pushing the mystery into the background, though slow methodical plotting slowly unravels the mystery, allowing the show to go on as planned. With thoughtful attention to historical detail, To Die or Not to Die will satisfy those who favor historical mysteries, along with any Shakespeare fan.

--Jennifer Monahan Winberry