Leavin’ Trunk Blues by Ace Atkins
(Thomas Dunne, $22.95, V) ISBN 0-312-24212-3
****
Nick Travers is a former professional football player. Upon retirement he completed his PhD and is now teaching in the music department at Tulane University. His expertise is blues, and he spends his spare time chasing legends and old recordings. A husband and wife, who own the last of the blues bars in New Orleans and who become his mentors, his substitute parents, and his best friends, provide an entrée into the community of blues musicians.

Readers should know that Leavin’ Trunk Blues is heavily laden with blues history and details about past blues performers. Since I am not an aficionado of blues music, I have no way of judging the accuracy of the many historical references. But if the extensive credits to historical works that appear in author’s acknowledgements are any indication, this book may prove to be a treasure trove for the dedicated blues fan. .

In his search for snippets of blues history, Nick corresponds with Ruby Walker, “The Sweet Black Angel.” She has been imprisoned for 40 years for the murder of her lover and promoter, Billy Lyons, the owner of the Chicago-based King Snake Records. The legendary murder had captured the imagination of the press converting it to a “Frankie and Johnny” sensation.

Ruby finally agrees to an interview - but on her terms. Her condition: that Nick help prove her innocence. Nick, who once had some success solving a crime, succumbs to her pleas. His investigation involves him with a trio of sadists, Fast Lovin’ Fannie, Butcher Knife Totin’ Annie, and Stagger Lee, who are determined that the case will remain closed.

From the Checkerboard Lounge to the Maxwell Street Market, Travers highlights an often-ignored portion of Americana in a well-constructed mystery. The story leans to the dark side as its sinewy action travels between 1959 and the present. The author even uses the cold gray Christmas season to highlight the loneliness of some of the characters. His scene descriptions convey the same haunting feeling as the blues themselves.

Atkins is one of the most lyrical writers I have ever encountered in the mystery genre. If the blues truly represent the voice of the working class, then Atkins has done a superb job representing the written voice of the blues. This, he accomplishes with crisp dialogue, deft characterizations, and vivid, scenic settings.

--Thea Davis


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